Supporting visual arts

Hand drawn iIllustration by Supermundane with lots of intricate lines and patterns

England has a dynamic visual arts sector that seeks constantly to reinvent itself and is notable for blurring boundaries and collaborating with other creative disciplines. During 2014–15 we invested £79.1 million to fund projects across a broad range of media, such as painting or moving image work. 

The Arts Council Collection

Explore the largest national collection of modern and contemporary British art

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Image of Grayson Perry's The Adoration of the Cage Fighters'
Grayson Perry, The Adoration of the Cage Fighters, 2012. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners. Photo © Arts Council Collection,

#culturematters: Investing in emerging artists

Love Late: Brighton Museum and Art Gallery

#culturematters: Investing in emerging artists

Love Late: Brighton Museum and Art Gallery

Audiences for the visual arts are healthy and growing, but artists need the right support to allow their work and businesses to flourish. As both a funder and a development agency, we invest in and support artists to extend their work and reach more people.

We want to support the development of visual arts’ activity outside traditional gallery spaces, to bring work to new audiences. We have developed a number of partnerships with heritage organisations including the National Trust, Forestry Commission and Canal and Rivers Trust bring contemporary visual art to new and diverse audiences around England.

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Latest news, blog posts and case studies

A young woman in a Create t-shirt holds a dance pose while performing on stage against a bright green backdrop

On culture and caring

Nicky Goulder on the impact of art and culture on young carers, and how creativity can helps us to step into someone else's shoes

A woman in a green top poses for the camera with a baby wrapped against her back

Dig a little deeper

Post Brexit, Mahtab Hussain and Skinder Hundal blog about how art makes space for empathy

Exterior shot of Dean Heritage Centre - an old building on the edge of a forest in front of a lake

Waving not drowning

John Orna-Ornstein blogs about how we’re investing in strategic thinking in museums through our Museum Resilience Fund

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Image captions
Top left to bottom right: 1. Plymouth Music Zone participants making music. Photo © Plymouth Music Zone / Kevin Clifford. 2. New Vic Theatre's 2015 production of Dracula. Photo © Andrew Billington / New Vic Theatre 3. Grayson Perry, The Adoration of the Cage Fighters, 2012. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners. Photo © Arts Council Collection, 4. Mark Wallinger's 'Self Reflection' at London's Freud Museum © Alex Delfanne 5. The fertility Orbit of the Boob Meteorite by Serena Korda at the Plymouth Art Weekender 2015. Image © Gordon Dalton 6. A young carer performs at Sadler’s Wells during inspired:arts. Photo © Alicia Clarke 7. Reflecting Nature print by Mark Ware. 8. 'Mother with child' - from The Commonality of Strangers. Image © Mahtab Hussain 9. Dean Heritage Centre. Photo © Eye Shut Photography 10. Land Speed Record Toys. Photo © Tom Wood / National Motor Museum 11. 'Transe Express' by Seachange Arts at the Out There International Festival of Circus and Street Arts, 2015. Photo © David Street / Streetview Marketing 12. Rifco Arts: Break the Floorboards @ Watford Palace Theatre, 2013. Photo © Manuel Harlan. 13. Daniel Copeland performs Joseph Coelho's Tree Child on the Spark Arts tour. Photo © Pamela Raith Photography / The Spark Arts 14. New Wolsey Youth Theatre's Through The Looking Glass. Photo © Mike Kwasniak 15. Exeter's Royal Albert Memorial Museum & Art Gallery. Photo © RAMM Exeter 16. Musiko Musika's ECCO Concert at Southbank Centre, February 2014. Photo © Harriet Armstrong / Musiko Musika. 17. It's A Wonderful Life by New Wolsey Theatre. Photo © Mike Kwasniak.