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Psappha Contemporary Music Ensemble

Psappha Contemporary Music Ensemble is an internationally acclaimed contemporary music ensemble. It has a particular focus on touring and commissioning. Our funding is to support core and programme costs.

Funding awards

  • 2012-2013: £60,000
  • 2013-2014: £61,380
  • 2014-2015: £64,000

Video feed

Leo Geyer (b 1991) - Dots (world première)

Dots is a homage to the witty poem Words Getting in the Way by Anthony Burgess. In his work, the protagonist, overwhelmed by the complexity of language, is unable to express his love, reflecting on Burgess’s tongue in cheek attitude in both his life and work. In my piece, the poem is retold with the notated music ‘getting in the way’. I have also brought out the physical suggestions in the poem by modelling the composition on the lively and sensual Cuban dance – Guaguanco. As well as musical characteristics from Latin America, I have also drawn upon jazzy flavours featured in a number of compositions by Anthony Burgess. 'Dots' was commissioned by Psappha and the International Anthony Burgess Foundation. ABOUT THE COMPOSER Leo Geyer studied composition and conducting at The University of Manchester, the Royal Northern College of Music and the Vienna University of Music and the Performing Arts. Leo’s music has been performed in the US, Austria, across the UK and broadcast live on BBC Radio 3. Recent composition projects include works for the BBC Singers, Opera North and Rambert Dance Company. Leo holds conducting positions with the Settle Orchestra, Khymerikal (contemporary chamber ensemble), Constella Ballet & Orchestra and also works as a Cover Conductor for The Royal Ballet.

Joshua Brown (b. 1989) - String Trio (world première)

Joshua Brown (b. 1989) String Trio (world première) The structure of String Trio is that of a single movement split up into three arches, each of which is split into three parts. The number "3" also permeates the musical textures within these larger structures, inspired in part by Chinese numerology. About the composer: Joshua Brown Joshua Brown was born in Lancashire in 1989, and studies composition with Philip Grange at the University of Manchester, where he is currently working towards a PhD. © Joshua Brown

Samual Wesley Lewis (born 1991) - Alone Time (world premiere)

Filmed Live at the Martin Harris Centre on 7th March 2014. Psappha Ensemble Stephen Barlow - conductor Conrad Marshall flute Richard Casey - piano Benedict Holland - violin Lucy Baker-Stockdale - violin Heather Wallington - viola Jennifer Langridge - cello Samuel Wesley Lewis (born 1991) Alone time (world premiere) This piece of music was completed prior to any consideration of what its title could be. As such, its structure is based on the familiar musical scenario of building to a climax and then losing energy, rather than in relation to any pre-conceived extra-musical ideas. However, on reflection of the completed work, certain interpretative qualities have presented themselves to me. Although it was not initially intended to function as a solo instrument, the piano, through its relationship with the rest of the ensemble, presents a metaphor for isolation and its associated emotional ambiguity. Spending time on one's own can be rather desirable, but may be tainted to some degree with feelings of loneliness. On the other hand, human interaction often stimulates feelings of happiness but it can very easily become complicated, leading to high levels of stress. For me, the notion of enjoying one's 'alone time' has a rather bittersweet quality, which is suggested by the musical narrative. First and foremost, however, this is a piece of music that I hope can be enjoyed without reference to a programme note! Any interpretation arising from reflection on its title is a bonus.   ABOUT THE COMPOSER: Samuel Wesley Lewis Sam is currently a Master's student at the University of Manchester, studying instrumental composition with Richard Whalley. Since beginning his formal training in composition as an undergraduate, he has aimed to develop a higher level of focus and objectivity in the creative process, while retaining his natural spontaneity of expression. Recent works include Fluctuations for solo percussionist performed by Joby Burgess and Surge for string quartet performed by Quatuor Danel.

Emma Wilde (born 1991) - Erebos (world premiere)

Filmed Live at the Martin Harris Centre on 7th March 2014. Psappha Ensemble Stephen Barlow - conductor Conrad Marshall flute Richard Casey - piano Tim Williams - percussion Benedict Holland - violin Lucy Baker-Stockdale violin Heather Wallington viola Jennifer Langridge cello Emma Wilde (born 1991) Erebos (world premiere) In Ancient Greek,'Erebos', was literally taken to mean 'darkness' or 'deep shadow' and in Greek mythology was a primordial deity - one of the first entities from which all the other Gods descended. The piece draws on Ancient Greek influences, primarily the structure of tragedy. The solo violinist acts as a main protagonist in the way that it takes control of the drama from the offset in the form of a musical monologue. This is followed by the first entry of the 'chorus', in this case, the chamber ensemble, whose role is that of commentator. Then the main action of the drama takes place. The second violinist is introduced as an 'antagonist' who 'shadows' the first violinist, remaining almost hidden in the background. Eventually there is a turning-point in the action when the second violinist cuts through the texture and reveals the true qualities of its musical material for the first time. The drama's denouement is reached by way of the 'chorus', who finally work together to combine the two violinists' contrasting musical materials. ABOUT THE COMPOSER: Emma Wilde Emma is currently studying for a PhD in composition with Camden Reeves at the University of Manchester, having already graduated with a MusB (First Class) and MusM (Distinction) from the same institution. Emma's works have been performed and workshopped by various professional ensembles such as Psappha, the Hebrides Ensemble and Quatuor Danel, and have been featured in festivals such as the New Music North West Festival (2012,2013), the St Magnus Festival (2013)and the Just So Festival (2012). Emma has also taken part in workshops and masterclasses with the composers Sally Beamish, Alasdair Nicolson, (whilst a participant on the St Magnus Composer's Course), and Edwin Roxburgh.

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Daniel Lee Chappell (born 1993) - Nereid (world premiere)

Filmed Live at the Martin Harris Centre, The University of Manchester 13th December 2013 Psappha Ensemble Dov Goldberg - clarinet Richard Casey - piano Benedict Holland - violin Daniel Lee Chappell (born 1993) Nereid (world premiere) Nereid is one of the moons of Neptune, named after the mythological sea-nymphs of Ancient Greece. In mythology, the 50 Nereids accompanied the god Poseidon and resided in the Aegean Sea, offering aid and to sailors and fisherman at sea. It was said of the Nereids that each embodied different maritime qualities and were able to calm the seas, appearing during storms to offer safe passage through as occurred in Greek epic 'Argonautica'. As a celestial object, Nereid is notable for having a high eccentricity of orbit, meaning that its distance from its primary planet varies greatly, at times passing within 6,000,000 miles of Neptune. The moon's rotation is also thought to be unstable or chaotic due to its highly elliptical orbit. Thus Nereid seems to be a celestial body that is periodically being wrestled by gravitational maelstroms, before passing into calmer territory. About the Composer: Daniel is a Salford-born composer and pianist, currently a third-year music undergraduate at the University of Manchester, who recently returned from a period in the U.S, where he studied composition under Reynold Tharp at the University of Illinois amongst other activities. An alumni of Chetham's School of Music in Manchester, he has previously studied with Jeremy Pike and Gavin Wayte, as well as tuition from visiting composers including James Macmillan, Simone Fontanelli and Sally Beamish. He has worked with professional ensembles including the Manchester Camerata, Quatour Danel and Psappha. His compositional output includes numerous chamber and solo works, including a large-scale String Quartet completed in 2010, and 'Mirages' for mixed ensemble which was premièred at the 2013 'New Music North West' festival. He has also recently completed works for two newly-formed university ensembles dedicated to student commissions: 'Slate' performed in November 2013 by 'MUCE', and 'Salve Regina' for the 8-part choir 'Latin Name TBC' due to be performed in 2014. Currently he is exploring ideas such as self-consciousness, self-aggrandisation, self-satirization and (self-evidently) narcissism, for hopeful inclusion in an upcoming work for voice and small ensemble.

Chloe Knibbs (born 1992) - Malayalam (world premiere)

Filmed Live at The Martin Harris Centre, The University of Manchester 12th December 2013 Psappha Ensemble Dov Goldberg - clarinet Richard Casey - piano Benedict Holland - violin Chloe Knibbs (born 1992) Malayalam (world premiere) Malayalam is inspired by a two-month trip to the South-West of India, in the state of Kerala. The piece initially explores the feeling of vulnerability and confusion involved when first trying to understand a new culture, using short and broken gestures to reflect this. However, the piece goes onto represent that in time being in a new culture can allow someone to be liberated by gaining new perspectives, shown in the growing excitement and playfulness of the piece. The piece does not use any musical material specifically related to Indian culture, aiming to focus on this transitory experience. As the official language of Kerala, Malayalam is an appropriate title to represent the misunderstandings -- both in language and culture -- that although initially frustrating can allow someone to develop a new-found freedom. About the composer: Chloe Knibbs Chloe Knibbs (b.1992) is a third-year Music student, specialising in composition with Philip Grange. She has participated in a number of music festivals, most recently receiving a bursary to attend the Composition Course at the Magnus Festival 2013 in Orkney and the Song-writing Course at the Dartington Summer School Festival 2013. Chloe has pieces played in the Vaganza Concert Series as well as the MUMS Chamber Festival Concerts. She is keen to promote composition through education projects, having worked with the Bridgewater Hall in Manchester, Halle Education and the WAM Foundation in India. After completing her undergraduate degree, Chloe hopes to travel before embarking upon a postgraduate course in Composition. Chloe is very grateful to have had this opportunity to work with Psappha.

David Wishart (born 1991) - Cynic (world premiere)

Filmed Live at The Martin Harris Centre, The University of Manchester 12th December 2013 Psappha Ensemble Dov Goldberg - clarinet Richard Casey - piano Benedict Holland - violin David Wishart (b.1991) Cynic for clarinet, violin, and piano (2013) (world première) This piece lasts around six and a half minutes. It is a musical response to the feelings which Christmas brings up in me each year: I find the ideas that 'Love is here!' and that Jesus came into the world silently, without fanfare, on a quiet night, very powerful and appealing. However, I cannot find any reason to believe in a God, or in a life after death, and this comes into conflict with my emotional attraction to the Christmas message. The piece opens with a wash of high, bell-like sound on the piano, extremely quiet with no strong feeling of metre. The violin and clarinet begin to enter, almost imperceptibly at first, before becoming more and more distinct from the piano music. As they come to dominate the texture with more expressive and active lines, the piano fades, and the violin and clarinet reach a climax. After this, the piano reenters with another wash of sound, but now fragmented and stretched across the whole range of the keyboard. Although they clarinet and violin attempt to contribute, they have lost their impetus, and the ethereal bell-like texture is finally left alone to fade into the distance. DW, 2013 David Wishart is a composer and pianist. Born in Glasgow, he currently lives in Manchester. He is studying towards a Masters in Composition with Dr. Camden Reeves at the University of Manchester. David has had compositions performed in the New Music Northwest Festival, The North Highland Connections programme, and by new music ensembles including Psappha and Vaganza. Alongside his work as a composer, David maintains a busy performing life, as a musical director and pianist, accompanying recitals in the UK and abroad.

Joshua Brown - Moments.

Workshop performance of Joshua Brown's Moments.

Charles Whitall - Infernal Mechanism

Workshop performance of Charles Witall's Infernal Mechanism

Thomas Jarvis (b. 1991) - I Lost My Way in Dixieland (world premiere)

I Lost My Way in Dixieland explores all the elements of the popular 1910s/20s Dixieland Jazz style - a genre which I am very familiar with and fond of - rejigged into a modern idiom and inspired by works such as Stravinsky's Ragtime for Eleven Instruments, Ebony Concerto and L'Histoire du Soldat. About the composer: Thomas Jarvis Thomas Jarvis graduated from the University of Manchester in 2012 with a First Class Honours degree in Music, and was awarded a McMynn Bursary from the university to continue his studies to postgraduate level. He was recently commissioned to write a piece, Fanfare, Variations and Theme on Happy Birthday, for the 80th Birthday of Sheffield City Hall performed last year by the City of Sheffield Youth Orchestra in the City Hall. This is not the first time he has worked with Psappha - he was chosen as an undergraduate to write for them, and has also conducted Psappha musicians in another postgraduate premiere.

Sayyid Shafiee (born 1987) - Sempadan (world premiere)

Sayyid Shafiee (b. 1987) Sempadan (world premiere) Sempadan was constructed to symbolise the idea of two different cultures which complement each other. Using different styles and approaches to treating the instruments, Sempadan strives to create unique proximal sound-structures using off-stage brass instruments and explore different manners of musical performance. About the composer: Sayyid Shafiee Sayyid Shafiee was born in Kuala Lumpur, Malaysia in 1987. He started playing the saxophone at age 13, joined the Malysian music community shortly afterward, and later obtained his Bachelor's Degree in Music at UiTM. He has taken part in wide variety of ensemble and had perform and compete all around Europe and South East Asia, as well as participating in the popular music scenes in Malaysia, and is now under the tutelage of Dr. Kevin Malone at The University of Manchester.

Joshua Brown (Born 1989) - Sextet (world premiere)

Sextet is a musical representation of someone sleeping, at first a dreamless sleep that gradually becomes more disturbed and eventually menacing as a number of short visions interrupt the calm. About the composer: Joshua Brown Joshua Brown lives in Bacup, a small mill town in east Lancashire. His musical life began in the local brass band, followed by studying trumpet at Leeds College of Music; Joshua is currently a postgraduate composition student at The University of Manchester.

Chia-Ying Lin (b. 1990) - 2Q13 (world premiere)

This piece starts with a lot of energy, analogous to the entropy of the big bang, which gradually subsides so that the work ends with a fading fragmentary texture. ABOUT THE COMPOSER: Chia-Ying Lin Chia-Ying Lin was born in Keelung, Taiwan in 1990. Having completed her Bachelor's degree in Composition at the Taipei National University of the Arts, where she studied with Professor Tsung-Hsien Yang, Chia-Ying is currently a Master's student at the University of Manchester supervised by Professor Philip Grange.

Emma Wilde (Born 1991) - Janus

Emma Wilde (born 1991) Janus (world premiere) In ancient Roman religion and mythology, Janus is the god of beginnings and transitions, thence also of gates, doors, doorways, endings and time. He is usually a two-faced god since he looks to the future and the past. In this work, the instruments are representative of two distinctive characters; the cello representing the musical language of the 'past' contrasting with the violin's language of the present or 'future'. These characters are pitted against each other in a structure resembling an argument or 'dialogue' until both instruments decide to explore the language of each other. © Emma Wilde About the composer: Emma Wilde Emma has just begun a Masters degree in composition at the university, studying with Camden Reeves after completing her undergraduate Music degree at Manchester last year. She is an active composer in the Manchester area. Works have recently been performed in Estival at the University, the New Music North West Festival, the Just So Festival in Cheshire, Night and Day, and the Manchester Food and Drink Festival.

Sebastian Huckle (born 1990) - The Glass (world premiere)

The Glass is a piece about the fine line between action and inaction, optimism and pessimism, focus and distraction. Large, driving gestures seek to burst through chaotic textures as those textures seek to disrupt development. About the composer: Sebastian Huckle Sebastian Huckle is a third year music student at the University of Manchester studying composition under Dr Richard Whalley. His compositions have been performed by the university's new music ensemble Vaganza and he is looking forward to studying a Masters in the discipline at Manchester next year.

Timothy Langston (born 1990) - Ménage à trois (world premiere)

Ménage à trois is the French term used to describe a domestic living situation between three people, somehow connected by romantic relationship. It is not as many believe a term to describe a sex act or a love triangle. The work investigates the balance or imbalance of power that would surely occur in such a situation. By creating 'characters' for each instrument in the trio, defined by use of harmony and modality, the work presents a broken relationship with a chaotic opening, then proceeds to display the turn of events that resulted in the breakdown. About the composer: Timothy Langston Timothy is reading music in his final year at the University of Manchester. He is an active performer as a tenor and bass player in and around Manchester, and will be continuing his studies next year with a Masters in Vocal Performance at music college. As a composer, Timothy has written an eclectic range of works, from humorous works for solo instruments to more serious works for larger ensembles.

Leo Geyer (Born 1992) - Secrets in the Oak (world premiere)

The great trees stand tall and wise, competing in the timeless race to reach the sky. The wide trunks covered in dark moss paint the forest green. Straying from the path seduced by the thickening of the trees, to find a place of eerie stillness, with an uneasy mystery hanging in the air. About the composer: Leo Geyer Leo Geyer is on his second year on the Joint Course, studying Composition with Dr. David Horne. Leo has been awarded the SCYM Young Composer 2009, DSO Young Composer Award 2009, Junior Trinity Prize for Composition 2009 and 2010, Finalist of The Friends of the Music of St Giles Cathedral Composition Competition 10, Serenata Winds Composition Competition 2011 and the RNCM Gold Medal Award for Composition 2011. Earlier this year Leo collaborated with the poet Martin Kratz and they were awarded the Rosamund prize for their collaboration. After their success they decided to work together again and have just completed writing a chamber opera - The Mermaid of Zennor, which Leo conducted in the premiere performance at the RNCM on the 10th of December. Leo currently studies conducting with Mark Heron and conducts Manchester University's Orchestras and ensembles. Leo also co-founded the London based student ensemble - the Constella Orchestra and will continue to conduct them in their new year concert.

Thomas Jarvis (Born 1991) - Matryoshka

Matryoshka is the Russian for what is commonly known as a "Russian Doll" or "Babushka," a popular children's toy dating from 1890. This piece is based on the Matryoshka doll, whose primary characteristic is that of nesting, "one thing coming out of another," getting smaller and smaller each time. The piece is in two large sections, the first split into five, each of these clearly defined in character and musical content. The fifth section is based on the Russian folk song The Little Birch Tree (also heard in Tchaikovsky's Fourth Symphony). This sits at the core of the piece, towards which all other melodies lead, and from which we begin the second half, reintroducing all previous themes, until we hear the culmination of all five towards the end. About the composer: Thomas Jarvis Currently in the third year of his music degree at Manchester University, Thomas Jarvis is studying trumpet with Tracey Redfern of Manchester Camerata and Psappha, and conducting with Mark Heron at the Royal Northern College of Music. As a trumpeter, Thomas has worked for semi-professional ensembles such as the South Yorkshire Symphony Orchestra and Keith Peters Big Band. As a conductor he has gained experience through the City of Sheffield Youth Orchestra under Chris Gayford, and the University of Manchester Symphony Orchestra under Mark Heron. He has recently been appointed Ensemble Director and Conductor of the High Peak Wind Band (part of the Peak District Music Centres), Assistant Musical Director of the Manchester University Gilbert and Sullivan Society, and he also directs the Manchester University Barbershop Chorus.

Steven Calver - Luminae (world premiere)

Refraction is the bending of light through a substance. Different substances bend light at different angles. Each colour has a different wavelength, and bends at a different angle. This is the same effect that produces rainbows in the atmosphere. Light changes speed as it moves from one medium to another (for example, from air into the glass of a prism). This speed change causes the light to be refracted and to enter the new medium at a different angle (Huygens principle). The degree of bending of the light's path depends on the angle that the incident beam of light makes with the surface, and on the ratio between the refractive indices of the two media (Snell's law). 'There are two kinds of light - the glow that illumines, and the glare that obscures.' James Thurber 'Colour is all. Colour is everything, colour is vibration like music; everything is vibration.' Marc Chagall ©Steven Calver About the composer Steven Calver Steven Calver was born in Suffolk, started playing the cello at the age of eleven and started composing at the age of thirteen after hearing Berlioz's Symphonie Fantastique. He completed his Bmus in 2005 and MusM in 2006, both at the University of Manchester. His music has been performed by various artists and ensembles, including Ensemble 10/10, Quatour Danel, Keith McAlister, and members of the BBC Philharmonic. Steven is currently studying towards his PhD , supervised by Professor Philip Grange. so that each sound has an individual 'lifetime' (analogous to that of us human beings). The instrumentation of the ensemble version is due to the development of the musical material: from full, lively colourful to merely pale and single-note and lonely instrumentation.

Jae Hong Lee (b.1973) - Nocturne (world premiere)

Upon hearing Mahler's Symphony No. 7, which is often referred to as "night music", I found within it optimistic and pessimistic elements. I feel it is in a romantic mood, like nocturnes by Chopin, and that it talks about fear and despair when one is enveloped in darkness. My nocturne focuses on the second idea. When I was a child, I did not like walk alone far from my home at night because I felt that there were ghosts or bad people around dark corners. I sensed the tiny sounds that cold winds and cats made behind me and the beating of my heart was increased by the fear. My nocturne is divided into two sections. In the first part, a solo viola presents the fear of the young child. Overall, metallic sounds from the tam-tam and gongs conjure up the image of cold atmosphere and winds at night. In the second part, new materials are added as the flute becomes the main character, with reminiscent music recurring from the first part. ABOUT THE COMPOSER: JAE HONG LEE Jae Hong Lee was born in Seoul, Korea. He earned his Masters of Arts degree from Queens College of City University of New York and Bachelor's degree from Seoul National University. He is currently in his third year in the PhD programme with Professor Philip Grange at the University of Manchester.

Soojung Park (b.1983) - Coexistence (world premiere).mov

"The coexistence of one thing with another is the fact that they exist together at the same time or in the same place." When I was thinking of a title for this piece, there was tragic news in South Korea about attacks by North Korea. This music is not composed for protesting about political problems pertaining to wars in between countries such as Korea. However, it is true that the relationships between the musical instruments are presented in similarly conflicting atmospheres experienced by countries embroiled in tension with others. This music, simply structured as A, B, A', aims firstly to present progress, based on 'serial modes' in which all instruments start from a high A and finally return to it via contrapuntal isorhythmic and heterophonic textures, and secondly to produce colourful sounds as each instrument's unique timbre is mixed or contrasted with others. In Section A, all instruments struggle at the high A, eventually being stretched to other pitches and lower range. While all instruments except the viola freely sound all modal pitches, the viola only follows a serial mode's pitches emphasised by flute, guitar and vibraphone during their iso-rhythm process. Section B has contrasted tempo and rhythm from A, and A' is presented as a mirrored development of A. ©Soojung Park About the composer: Soojung Park Soojung Park was born in Seoul, Korea and began to study contemporary music composition during the first degree at Hanyang University, Seoul. She decided to do further study in the U.K. when she listened to music by a Korean composer studying in England. Soojung has composed for various ensembles, solo instrument and orchestra music for the past decade. She usually takes initial ideas for compositions from sounds and motions of materials such as ambulance sirens, sounds of walking and voices and the Christian Bible. Also she is very interested in music illustrating colour or presenting a narrative. Music by Park has been influenced by many various contemporary composers including her supervisors in both Korea and the U.K. Not restricting herself to a single concept for her music, she is journeying to create an assimilated, personal musical style. She was awarded an MA in Composition from the University of York and is supervised by Dr Kevin Malone at the Manchester University for PhD.

Jae Hong Lee - Argument (world premiere)

Argument for violin, cello, and piano was written between 2009 and 2010. In this work, the three instruments represent three characters. At the start of the work the dialogue between the instruments depicts conflict. Towards the end of the work there is peace between the instruments and a sense of reconciliation . Jae Hong Lee was born in Seoul, Korea. He earned his Masters of Arts Degree from Queens College of City University of New York and Bachelor's degree from Seoul National University. He is currently in his third year of a PhD with Professor Philip Grange at The University of Manchester. Recently, he is working on both a Concerto for Orchestra and a piece of chamber music.

Marc Tweedie (born 1986)- Gréasaîn

Gréasaín (English: Webs) was written in during November and December 2008, and premiered by the Lawson Trio at Queen's University, Belfast in May 2009. The title refers to a poem by acclaimed Irish language poet, Cathal Ó Searcaigh, which served as the initial impetus for the work. Based loosely on Rondo form, the piece consists of a recurring 'theme' surrounded by various distinctly separate but inextricably linked passages, akin to the construction of a spider web with its various separate threads providing different areas of support which are interwoven to create a strong, unified structure.

Josh Kopecek - the warrior fallen (world premiere)

The Warrior Fallen A study of the last moments of a warrior's life, as he reflects on his achievements and failures. It is divided into seven movements, each a different tableau of a particular moment or a remembered scene. Three of the movements are differently structured each time they are performed, even though this will only be performed once. We may experience something once, but each time it is remembered it is different. Josh Kopeček studied at the University of Manchester, completed his Masters at the Royal Scottish Academy of Music and Drama, and is now a research student at The University of Manchester. His music touches on improvisation, interaction between musicians and relationship to electroacoustic sounds.

Yvonne Eccles - Multiple Infection (world premiere)

Multiple Infection opens with a chaotic, bold and energetic musical gesture played by the full ensemble. This idea recurs twice in the piece and each time presents signs of being infected. The subjects of the infection are the two contrasting expressive gestures that you will hear; one for cello, piano and percussion and the other for clarinet, piano and percussion. Characteristic traits from these contrasting gestures cause the opening one to take on a different guise each time you hear it. It retains its chaotic nature for the most part, but begins to exhibit traits from the other gestures and so is never quite the same again! Yvonne Eccles was born in Lancashire in 1983. She began studying composition seriously in her late teens with Michelle Gorrell, a local composer. Her passion for composition then led her to London to study with several high profile composers including Diana Burrell at the Guildhall School of Music and Drama. She has since studied with Geoff Poole at the University of Bristol and John Casken at the University of Manchester where she gained a first class BA hons degree, (Bristol) and a MusM degree, (Manchester). Yvonne has had several compositional successes to date including commissions from the London Festival of Contemporary Church Music, the Philharmonia Orchestra, (for their Music of Today project), and she has also written a piece for Ensemble 10:10. Yvonne recently returned to the University of Manchester to undertake her PhD studies with Dr Kevin Malone.

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