The Philharmonia Orchestra is resident at London's Southbank Centre and
maintains residencies in Bedford, Leicester and Basingstoke. It tours nationally
and internationally. Our funding subsidises concerts and supports core costs.
Serien Berater Steven Stucky spricht mit Mitgliedern des Philharmonia Orchestra Samuel Coles (Soloflöte) und Mark van de Wiel (Co-Soloklarinettist) über Witold Lutosławskis Gebrauch des Zufalls in seinen Kompositionen, ein Vorgehen namens "begrenzte Aleatorik." Sie arbeiten sich durch eine kurze Passage Lutosławskis Jeux venitiens (Venezianische Spiele) und zeigen wie jede Aufführung einzigartig ist.
Entdecken Sie die digitalen Ressourcen aus der Serie unter philharmonia.co.uk/lutoslawski
Le conseiller de séries Steven Stucky discute avec Coles Samuel (Flûte Principale Accompagnée) et Mark van de Wiel (Clarinette Principale Accompagnée), membres du Philharmonia Orchestra, au sujet de l'utilisation de la chance par Witold Lutoslawski dans ses compositions, une approche appelée «aléatorisme contrôlé." Ils travaillent un court passage de Jeux vénitiens de Lutosławski, illustrant la façon dont chaque concert est unique.
Inclu dans la série du Philarmonia « Woven Words » (ou Paroles tissées): « La musique commence là où les mots s'arretent »). Explorez les ressources digitales de la série à: philharmonia.co.uk/lutoslawski
Zum Anlass des Jubiläumsjahres 2013 für Strawinskys Le Sacre du Printemps, spricht der Chefdirigent des Philharmonia Orchesters Esa-Pekka Salonen über seine Beziehung mit diesem bahnbrechenden Werk, und dessen anhaltende Relevanz im Kontext des 21. Jahrhunderts. Um die Jahrhundertfeier zu kennzeichnen, wird Esa-Pekka Salonen das Werk in ganz Europa mit dem Philharmonia Orchestra aufführen. Die Tour findet ihren Höhepunkt mit einem Konzert im Pariser Théâtre des Champs-Elysées, dem Austragungsort der berüchtigt aufrührerischen Uraufführung des Werkes.
HAMBURG 25 Mai 2013 http://www.philharmonia.co.uk/concerts/25may13
DRESDEN 26 Mai 2013 http://www.philharmonia.co.uk/concerts/26may13
WIEN 27 Mai 2013 http://www.philharmonia.co.uk/concerts/27may13
Le Sacre du Printemps mit Esa-Pekka Salonen wird auch in London, Madrid, Paris und Ljubljana aufgeführt. philharmonia.co.uk
RE-RITE Installation: Tauche mit einem virtuellen Philharmonia Orchestra in Le Sacre du Printemps ein.
SALZBURG: Rauchmüle, 5. Mai - 20. Mai 2013 salzburgerfestspiele.at
HAMBURG: Elbphilharmonie, 8. Mai - 29. Mai 2013 elbphilharmonie.de
With 2013 being the Centenary year for Stravinsky's Rite of Spring, Principal Conductor and Artistic Advisor of the Philharmonia Esa-Pekka Salonen discusses his relationship with this seminal work, and its continuing relevance in a 21st century context. To mark the Centenary, Esa-Pekka Salonen is touring the work across Europe with the Philharmonia Orchestra, a tour culminating in a concert at Paris's Theatre des Champs-Elysées, the venue of the work's infamously riotous première.
The London Centenary concert will take place on Thursday 30th May at 7.30pm, at the Royal Festival Hall. For more information, please visit philharmonia.co.uk/concerts/30may13
The Rite of Spring with Esa-Pekka Salonen is also touring Hamburg, Paris, Madrid, Dresden, Vienna, and Ljubljana.
In this interview, Joby Talbot discusses his composition "Worlds, Stars, Systems, Infinity", which was commissioned by the Philharmonia Orchestra as part of the digital installation project 'Universe of Sound'. The DVD and interactive Blu-ray of the installation are now on sale - for more information please see www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the seventh movement of Holst's 'The Planets' suite, entitled "Neptune, the Mystic".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the fifth movement of Holst's 'The Planets' suite, entitled "Saturn, the Bringer of Old Age".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the sixth movement of Holst's 'The Planets' suite, entitled "Uranus, the Magician".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the fourth movement of Holst's 'The Planets' suite, entitled "Jupiter, the Bringer of Jollity".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the third movement of Holst's 'The Planets' suite, entitled "Mercury, the Winged Messenger".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the second movement of Holst's 'The Planets' suite, entitled "Venus, the Bringer of Peace".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit www.universeofsound.co.uk
Animateur Paul Rissmann presents a listening guide to the first movement of Holst's 'The Planets' suite, entitled "Mars, the Bringer of War".
Holst's The Planets is the inspiration behind the Philharmonia Orchestra's pioneering digital installation Universe of Sound. For more information on the project, please visit universeofsound.co.uk
In this interview, Esa-Pekka Salonen discusses Shostakovich's Symphony No. 4. Written at a politically turbulent time, during which was published the infamous Pravda article denouncing the composer and his work, its original première was eventually cancelled, and the work did not resurface until the early 1960s.
Symphony No. 4 is being performed together with the Opera 'Orango', which has its European première in London on 16 May 2013. For more information on the concert, please visit www.philharmonia.co.uk/orango
Sponsored by the Meyer Foundation
An extended documentary about the recently-discovered opera by Shostakovich, 'Orango'. It features interviews with Esa-Pekka Salonen, who premièred the work, Gerard McBurney, who orchestrated the work, and Irina Brown, who is directing the Philharmonia Orchestra's semi-staged production and European Premiere taking place at the Royal Festival Hall in London in May 2013.
As well as learning about how the work surfaced, and its orchestration, we also delve into some of the musical influences surrounding Shostakovich when he wrote the piece. Set against the historical context of the early 1930s, this film lifts the lid on a fascinating period in not only musical history, but the history of the Soviet Union.
For more information on the Philharmonia Orchestra's European Première of Orango, taking place on May 16th 2013, please visit www.philharmonia.co.uk/orango
Sponsored by the Meyer Foundation
Conduct, play and step inside a virtual Philharmonia Orchestra, joining 132 musicians and Esa-Pekka Salonen, the Orchestra's Principal Conductor and Artistic Advisor, performing one of the most spectacular pieces of music ever written. Universe of Sound is an extraordinary free interactive digital installation, allowing you to explore an orchestra from the inside out as they perform Holst's The Planets.
Using giant visual displays, touch screens, unconventional projecting surfaces, movement-based interaction and planetarium-style projections, you can take part as musicians, conductors, arrangers and composers. Universe of Sound has been created by Esa-Pekka Salonen and the Philharmonia Orchestra.
The installation also features a new companion piece to The Planets, by composer Joby Talbot, called Worlds, Stars, Systems, Infinity.
25 May - 16 June 2013 Birmingham Municipal Bank, Broad Street, Birmingham
This film featuring Adrián Varela and Tim Steiner introduces 'Creative Orchestra', a Philharmonia education project which has taken place at various schools including those in Bedford, Bristol and Leicester.
This extended documentary goes behind the scenes at the Philharmonia Orchestra's Universe of Sound project, from conception to completion. For more information on the project, please visit www.universeofsound.co.uk.
Next dates: 27 April - 12 May 2013 Augustine House, Canterbury Christ Church University
Conduct, play and step inside a virtual Philharmonia Orchestra, joining 132 musicians and Esa-Pekka Salonen, the Orchestra's Principal Conductor and Artistic Advisor, performing one of the most spectacular pieces of music ever written. Universe of Sound is an extraordinary free interactive digital installation, allowing you to explore an orchestra from the inside out as they perform Holst's The Planets.
Using giant visual displays, touch screens, unconventional projecting surfaces, movement-based interaction and planetarium-style projections, you can take part as musicians, conductors, arrangers and composers. Universe of Sound has been created by Esa-Pekka Salonen and the Philharmonia Orchestra.
The installation also features a new companion piece to The Planets, by composer Joby Talbot, called Worlds, Stars, Systems, Infinity.
27 April - 12 May 2013 Augustine House, Canterbury Christ Church University
Philharmonia Orchestra violinist Adrián Varela and Tar Shehnai player Kirpal Singh Panesar come together to learn about each other's instrument, techniques, and ensemble playing.
The project is a collaboration with Shruti Arts and Orchestras Live.
Discover the Philharmonia Orchestra
De Montfort Hall, Leicester
Sunday 24 March 2013, 7:30pm
http://www.philharmonia.co.uk/concerts/24mar13/
Commissioned by the Royal Philharmonic Society, Witold Lutosławski's Cello Concerto was written for and premièred by the great cellist Mstislav Rostropovich at the Royal Festival Hall in London in 1970. Tom Hutchinson of the Royal Philharmonic Society tells us more.
Part of the Philharmonia Orchestra's series Woven Words: "Music begins where words end". Explore the series' digital resources at http://www.philharmonia.co.uk/lutoslawski
Dyrektor Artystyczny Cyklu Steven Stucky rozmawia z muzykami Philharmonia Orchestra, pierwszym flecistą Samuelem Colesem i pierwszym klarnecistą Markiem van de Wiel, o wykorzystaniu przypadku w kompozycjach Witolda Lutosławskiego, tzw. aleatoryzmie kontrolowanym. Omawiają początkowy fragment Gier weneckich (Jeux vénitiens) i dowodzą niepowtarzalności każdego wykonania.
Materiały Cyklu dostępne na woven-words.co.uk
Pianista Peter Jablonski dzieli się swoimi refleksjami na temat Koncertu fortepianowego Witolda Lutosławskiego (1987/88), który zostanie wykonany przez Krystiana Zimermana 30 stycznia w Royal Festival Hall w Londynie. Koncert ten otwiera cykl wydarzeń przygotowanych przez Philharmonia Orchestra pt. Słowa utkane: "Muzyka zaczyna się tam, gdzie słowo jest bezsilne".
Materiały Cyklu dostępne na philharmonia.co.uk/lutosławski
Jennifer Koh dzieli się refleksjami na temat utworu Witolda Lutosławskiego Łańcuch II: Dialog na skrzypce i orkiestrę (1984-85), który ta skrzypaczka wykona z Philharmonia Orchestra w dniu 21 marca 2013 r. w Royal Festival Hall w Londynie. Witold Lutosławski: „To, co mnie teraz satysfakcjonuje - pod każdym względem - to Łańcuch II."
Materiały Cyklu dostępne na philharmonia.co.uk/lutosławski
Dyrektor Artystyczny Cyklu, Steven Stucky i Dyrektor Artystyczny Philharmonia Orchestra, Esa-Pekka Salonen odwiedzili siedzibę Polskiego Radio w Warszawie, by porozmawiać o pracy Lutosławskiego w czasach reżimu stalinowskiego. Przeglądają rękopisy jego utworów dla radia, także muzyki rozrywkowej, skomponowanej pod pseudonimem Derwid.
Materiały Cyklu dostępne na philharmonia.co.uk/lutosławski
Zarówno Dyrektor Artystyczny Cyklu, Steven Stucky jak i Główny Dyrygent i Dyrektor Artystyczny Philharmonia Orchestra, Esa-Pekka Salonen dobrze znali Witolda Lutosławskiego. W tym filmie, obaj kompozytorzy wspominają swojego przyjaciela i mentora i omawiają jego twórczość.
Materiały Cyklu dostępne na philharmonia.co.uk/lutosławski
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Witold Lutosławski: Die aleatorische Methode
Witold Lutosławski: La Méthode Aléatorique
Esa-Pekka Salonen - Le Sacre du Printemps (Deutsche)
Esa-Pekka Salonen on the Rite of Spring
Composer Joby Talbot on "Worlds, Stars, Systems, Infinity"
Listening Guide: Holst's The Planets - Neptune, the Mystic
Listening Guide: Holst's The Planets - Saturn, the Bringer of Old Age
Listening Guide: Holst's The Planets - Uranus, the Magician
Listening Guide: Holst's The Planets - Jupiter, the Bringer of Jollity
Listening Guide: Holst's The Planets - Mercury, the Winged Messenger
Listening Guide: Holst's The Planets - Venus, the Bringer of Peace
Listening Guide: Holst's The Planets - Mars, the Bringer of War
Esa-Pekka Salonen on Shostakovich's 4th Symphony
Universe of Sound - Birmingham 2013
Philharmonia Education: Creative Orchestra
The Making of Universe of Sound
Universe of Sound - Canterbury 2013
Adrián Varela and Kirpal Singh Panesar in conversation
Commissioning Witold Lutosławski's Cello Concerto
Witold Lutosławski: Aleatoryzm
Koncert fortepianowy Witolda Lutosławskiego - przewodnik słuchacza - Peter Jablonski
Witold Lutosławski: Łańcuch II - przewodnik słuchacza - Jennifer Koh
Życie Witolda Lutosławskiego: Lata stalinizmu (Część 3)
Esa-Pekka Salonen i Steven Stucky wspominają Witolda Lutosławskiego
