Fuel

The Fingers By Terje Isungset and Mike Tipton The Fingers is the twelfth and final podcast in a series called Body Pods. Each podcast has been made by an artist in collaboration with a scientist, exploring a different part of your body. Here, Terje Isungset, an ice artist, and Mike Tipton, Professor of Human and Applied Physiology at University of Portsmouth discuss their podcast and the science behind it. To find out more visit fueltheatre.com.

Bone By David Harradine and Allie Gartland Bone is the eleventh and penultimate podcast in a series called Body Pods. Each podcast has been made by an artist in collaboration with a scientist, exploring a different part of your body. Here, David Harradine, an artist, and Dr Allie Gartland, Head Senior Lecturer in Bone Biology at the University of Sheffield discuss their podcast and the science behind it. To find out more visit fueltheatre.com.

Fuel presents Ring Conceived and directed by David Rosenberg Written by Glen Neath Sound by Ben and Max Ringham A sound journey in complete darkness from director David Rosenberg (Electric Hotel, Shunt), writer Glen Neath (The Outgoing Man, and Romcom by Rotozaza) and producers Fuel (Black T-shirt Collection, Kursk). Now touring. Visit www.fueltheatre.com for more information. Trailer by Susanne Dietz www.susannedietz.com

Fuel, Roundhouse and the UCL Ear Institute present Body Pods Funded by a Wellcome Trust Arts Award The Skin By Stacy Makishi and Michael Klaber The Skin is the ninth in a series of podcasts called Body Pods. Each podcast has been made by an artist in collaboration with a scientist, exploring a different part of your body. The Skin has been made by multi-media artist and performer Stacy Makishi and dermatologist Michael Klaber. Listen to them talk about their podcast and the science behind the body's largest organ. Body Pods is co-produced by Fuel and Roundhouse, who brought you the Everyday Moments series of podcasts, available as the Guardian Culture Podcast last year, and the UCL Ear Institute. To find out more visit fueltheatre.com.

Kate, Louise and some of the participating artists talk about Phenomenal People at the Southbank Centre.

The Gut By Alice Oswald and Glenn Gibson The Gut is the eighth in a series of podcasts called Body Pods. Each podcast has been made by an artist in collaboration with a scientist, exploring a different part of your body. The Gut has been made by poet Alice Oswald and Dr Glenn Gibson, Professor of Food Microbial Sciences at University of Reading. Body Pods is co-produced by Fuel and Roundhouse, who brought you the Everyday Moments series of podcasts, available as the Guardian Culture Podcast last year, and the UCL Ear Institute. To find out more visit fueltheatre.com.

Fuel, Roundhouse and the UCL Ear Institute present Body Pods The Eye By Silvia Mercuriali and Dominic ffytche Sound design by Tomaso Perego How well do you know your insides? Ever wondered why you have an appendix or how your ears work out the source of a sound? Discover the strange and surprising human body in Body Pods, a series of 12 podcasts by artists and scientists, each one exploring a different part of your body. Watch the interview with Silvia Mercuriali, Dr Dominic ffytche and Tomaso Perego, talking about their collaboration and the science behind the podcast.

Fuel, Roundhouse and the UCL Ear Institute present Body Pods The Arse By Amanda Boyle and David Gems Music by Harry Escott Additional voice by Caroline Horton How well do you know your insides? Ever wondered why you have an appendix or how your ears work out the source of a sound? Discover the strange and surprising human body in Body Pods, a series of 12 podcasts by artists and scientists, each one exploring a different part of your body. Watch the interview with Amanda Boyle and Dr David Gems, talking about their collaboration and the science behind the podcast.

An audience member tells what she thought of Knight Watch after the sold out show at Greenwich and Docklands International Festival. Please turn your volume up so you can hear her over the wind...

Filmed during rehearsals, Inua Ellams explains why he is performing Knight Watch outdoors.

Inua Ellams interview during rehearsals for Knight Watch in June 2012. In a world where tower blocks are stone mountains and city walls are urban tapestries retelling epic fights, Michael keeps away from the warring tribes until a passerby helps him out of a tight situation. Instantly, he is pulled into the gang culture he has tried to escape. The city spirals out of control as battle lines are drawn but will Michael succeed in ending the war? In rhythmic, sizzling poetry, and with a live soundtrack from drummer Aki Fujimoto and flautist Mikey Kirkpatrick, Inua Ellams (The 14th Tale, Black T-shirt Collection) conjures the violence of a city not unlike London and imagines a more beautiful world beyond it.

Uninvited Guests stage an event that is somewhere between a wedding reception, a wake and a radio dedication show. We speak of our own and other's loves - deep, passionate, ambivalent and unrequited - and dedicate songs to them.

The 14th Tale, presented by Fuel, tells the hilarious exploits of a natural born mischief growing from the clay streets of Nigeria to the rooftops of Dublin, and finally to London. Combining comic dialogue with deft and beautiful poetry, Ellams vividly brings to life the characters that punctuate his upbringing, offering an intimate account of the trials of adolescence and what it means to be a young, black male in London today. 'Creates whole worlds through the voice of a single performer.' The Scotsman 'Im from a long line of trouble makers, of ash skinned Africans, born with clenched fists and a natural thirst for battle, only quenched by breast milk.'

First commissioned by the Wellcome Collection in London in 2008, Stilled is a durational dance piece (performed for between 3 and 12 hours) and an exhibition of pinhole photographs. The dance is performed not only for a human audience, but also for an audience of pinhole cameras. During the performance, these cameras take long exposure photographs of the movements taking place, which are developed and then displayed as part of the event. In Stilled, the audience witnesses the performance taking place, and they see the strange, often abstract images that bear witness to earlier improvisations. Stilled is a meditation on the nature of perception: of taking time to become visible, taking time to be present, taking time to look, and taking time to see. Direction, design, photography by David Harradine Performed by Robin Dingemans, Valentina Formenti and Sachi Kimura Lighting Design by Hansjorg Schmidt Music by Jamie McCarthy Production Manager Ali Beale

Dressed in indentical red scarves and trenchcoats, wearing large sunglasses and carrying red vanity cases, twenty-two clandestine and possibly dangerous women mysteriously descended on Conventrycity centre during the day. Find out what it really means to be part of a crowd...

Medicine and theatre collide as legendary Peggy Shaw takes us on a journey across the extraordinary landscape of her body, accompanied by a live band. Clodensemble.com