A children’s illustrator and designer from Derbyshire is set to share both her creative and mental health journey
Kathleen Lawther is a freelance curator and collections manager, interested in the potential of documentation practice to support democratising and decolonising agendas.
Thinking of making an application to Developing your Creative Practice? Round 3 has just opened and if you’re looking for some tips, who better to guide you than a successful applicant from round 1.
Common elements found across the programme in artistic practice and excellence.
A children’s illustrator and designer from Derbyshire is set to share both her creative and mental health journey thanks to funding from Arts Council.
We've published an independent review into DYCP to show how it has helped freelance practitioners & contributed to our strategy Let’s Create.
Nottingham artist Carole Ellis shares the story of her unique exhibition, funded through Developing Your Creative Practice.
DYCP has supported Désirée in developing her writing by attending relevant courses, festivals and conferences, allowing her to explore her passion.
Nina Clark decided to apply for the Developing your creative practice fund to develop her music and create a brand. She tells us how this fund has helped her improve her abilities and widen her opportunities.
Charlotte Luke is a freelance dance practitioner, based in the South West. She tells us why it was the right time for her to apply to Developing your Creative Practice and what she thought about while making her successful application.
Romalyn is a Filipino-born British poet from Wolverhampton. She applied for the Developing your Creative Practice fund to work towards producing a full collection of poetry. She tells us more about the benefits this fund had on her work.
Charmaine Childs decided to apply for the ‘Developing your Creative Practice’ fund to experiment and collaborate in her work as a ‘Strong Lady’. She tells us how this fund helped her to increase the scope of her work and stability as a performer.
Thomas Goskar applied for Developing your Creative Practice funding to increase his portfolio of creative work. Thomas is an archaeologist who primarily works as a 3D imaging specialist in the heritage and arts sectors. He works with museums, libraries, societies and artists to help record, interpret and share information in 3D, to inform and inspire people.
Rosie Heafford applied to DYCP to support her research into taking her choreography to the US. She tells us how the fund helped in the next step of her career.
This film by Soumik Datta was commissioned by Arts Council England to explore the 'progression' pillar of our Ambition and Quality Investment Principle.
DYCP case studies
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