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What do you value about the arts?

08 February 2007 by admin 249 comments


Photo: The Sultan's Elephant, a performance by Royal de Luxe in the streets of London

Some people are passionate about the arts, going to a wide range of events and exhibitions and taking part in creative activities as often as they can. For others, the arts are a part of the fabric of their lives, something to be enjoyed with friends and family when the occasion arises. Some people don’t think of themselves as interested in the arts, even though they might go to the cinema, listen to music and read books. So what do the arts mean to you?

What arts activities do you enjoy? What do you get from those experiences, and why are they important to you? What role do the arts play in your life, and how is your life different as a result? Is there anything you would change about your involvement with the arts?

Are the arts important in your local community? If so, why? If not, why not? What role do the arts play in national life? Would you like to see the arts play a different role? And what are your expectations and hopes for the arts in the future?

paul miskin said at 1:54 AM, 12 February 2007

After the basic needs of food shelter and love the next most important human need is art.
Arts is in everything we do, conversation, cooking, lovemaking, running decorating the home. Every night our subconscious becomes a film producer hires a cast props and sets and puts on plays for us. We call this dreaming. We don?t understand why but it feeds our souls. We make vibrations in the air which make us happy or sad or jump about in strange ways; we call this music and dance. We don?t understand what these vibrations are but we need them. Art when you look at it closely is very strange stuff

It is hard to bear this thought, but the experience of life can be completely void of meaning. We come to this planet and we go. We get old but we still feel young. There is much pain and loss in every life and it is often pointless. Time is passing and we are all going to the same fate. But we struggle against this. We surround ourselves with domesticity family, love, projects and ambitions and art. Arts may not be able to change this condition but Art is one of the most important ways we make meaning and a sense of meaning. We alleviate the human condition with great bursts of laughter, out of body experiences flights of imagination and intense emotional empathies. We raise peaks of memorable experience out of the flatlands. Art is one of the most important strategies for dealing with the strangeness of human life.

The other day I saw a young mother with her baby in a papoose dancing down the street to the music of a street band. That was art working at the most important level .oxygen for the soul?The lady and her baby were flying on a magic carpet of art. They were sailing through the hum drum consumerism of the shopping street in an ecstasy of movement and joy. The individual ecstatic experience is one of the most valuable things about art. The other is the communal experience of art which takes us out of our smaller identity and gives us a mystical feeling of belonging. We may feel this in a great music concert or in the immersive experience a large scale open air performance.

The ecstasy of art can keep us connected to life's mystery in a secular world. Art can also process politics?help us comprehend issues and comment on every aspect of life. But at the core the imagination is a challenge to the real and a rejection of the tedious. Life without it is unimaginable. However socially beneficial the arts may be no one should demand that they are lashed to social agendas because ironically art as a slave becomes surly and useless. Art is always strange and paradoxical and only enhances the human condition as a strange bi-product of its freedom.

Hans-Christian Andersen said at 1:22 PM, 13 February 2007

I suppose that among the many things I love about all the arts is the strange paradox they always throw back at me: that they seem so inherently anarchic, unpredictable and unmanageable (a word I use advisedly, writing from within a Business School), while at the same time they are always, urgently, trying to give shape and meaning to greater or lesser lumps of the clay of human existence ? as if new order was everything and as if nobody had quite got the shape and meaning right before now.

Having grown up in a country that sometimes seems obsessed with not just art but with design - "formgivning", "giving shape", is the Danish noun - perhaps I was just "damaged at birth", as it were, and learned at an early age that although there were possibly no decent chairs before Hans Wegner designed his, you owe it to yourself and to your behind always to try out new ones.

So, maybe that is what I like about the arts: the way they encourage you not to accept the status quo, always to experiment, expect that there is another challenge around the corner; as well as a wealth of earlier attempts, a long tradition of endeavouring to "lend shape", a heritage of aesthetic effort.

It is one of the glories of living in my own shape-shifting city of "NewcastleGateshead" that it has decided to grow a shimmering layer of modern arts over its industrial heritage, a history that still shines through but which has become "heritage" rather than the foundation of our lives here. That was a surprise and a gift to somebody who came to the UK in the dark winter of 1979 as one of Thatcher's shivering immigrants. It is not the whole meaning of our lives here, but it is part of their meaning and accounts for a great deal of their shape. Creativity is not everything but without it - in our streets, museums, galleries, schools, business, tourism - we would be much less.

ann cowley said at 1:51 PM, 15 February 2007

Art is food for the heart, mind and soul. xxx

Tim Roberts said at 2:28 PM, 16 February 2007

I value art simply for it's existence. Art is visual proof that people are trying to make sense of their culture and community. I value art in the same way I value my wife in that she is a sounding-board for discussions and a way of helping me evolve and change opinions or positions on things that concern me.

I also value art for its "uselessness" and am revolted by people who think art should be "value for money". The way people always bring up every year how many nurses could be employed if you did not put Christmas lights up in Regent's Street. Granted nurses are very important, but try not having lights one year and notice how miserable and complaining most people would be.

Because it creates an interesting and enjoyable environment is also why I "value" art.

I lived through the Mitterand years in France and saw what a massive investment the government made in the arts (which is now under threat due to the Chirac right-wing being in place for so long). Through those years France built up it's image of a place where people lived a better, more cultured life. This is a reputation that exists to this day, despite decreased funding and the political swings that endanger the arts. Through the Albertville Olympics they changed the way ceremonies are done and ever since we have "Decoufle" look-a-likes.

What I am trying to get at is that a sociaty can gain an enormous amount of benefit through investing in the arts as the modern world is yearning for the idea that not everything has to do with profits and margins. That a society can invest in the well-being of the population and that artistic expression is as valuable a commodity as oil or wheat. That in turn creates an economy, of people going to festivals, performances, exhibitions. People will come to visit a country, and bring in tourist pounds so to speak, just to experience a society rich in culture and arts, because so many places don't have it.

Virginia Tatlioglu said at 5:51 PM, 16 February 2007

The disciplines of the arts have many common qualities but each one also contains unique aspects. I believe the arts provide the most powerful form of communication that humans have. Music and the visual arts transcend the need for verbal language, verbal language only becomes necessary in the resulting expression of opinions. Arts that solely involve verbal language have limits within societies but even those limits can be overcome. The arts, in at least one form or another, have the ability to reach the soul of every human. It has the power of calming the soul and engendering a sense of self understanding and self satisfaction.

The problem is there are too many people who are unaware of their ability to express their ideas and understanding. This comes down to education. Sadly our education system is letting us down. The arts have been squeezed out in favour of feeding the need for testing and eventually the global/commercial economy. We need to allow schools the time and freedom to involve the arts in the curriculum; they also need the funding to do so. This cannot be achieved by 'projects' with visiting workshops, it has to be a significant part of the framework of education. Children of all abilities, cultures and backgrounds can be reached in one way or another through the arts, thus their education enriched. Creativity is as essential for the healthy psychological and physical development of the child as it is to the maintenance of the well being of the adult.

'Get them young' and then we would not be faced with the dilemma of how to change attitudes that are well embedded.

David F Golightly said at 9:50 AM, 21 February 2007

What Value Art.

To have to even ask the question defines the state of our society. Art is a universal language of endeavour, of achievement. The yardstick to measure a creative individuals quality, talent and achievement. It is however much more. It is a reflection of the value a society places on the achievement of the individual. It is stronger than any tyrant, (Witness the Schostakovich example) stronger than any religious hypocrisy (Witness countless examples throughout history) Stronger than any politician or government. WHY and HOW?, because it is timeless and a reflection of those qualities of the human spirit that make us "more than we are" A society that abuses artists, or worse does not even the have time and desire to try and understand their motivation, is destined to implode and lose its ability to recognise quality and values. Defining only materialistic values, it will eventually revert to a greedy, paranoid state where value is measured not by talent or creative endeavour but by materialistic power and influence. It is no coincidence that societies produce the creative artistes' they deserve. In order for creative artists' to thrive they have to be appreciated, understood and supported. To produce work of quality in any art form requires the discipline of years of endeavour and study combined with a special sensitivity and talent. If a society is not conducive to the development and nurture of these qualities, then the creative artist will not survive. (Witness the musical examples of Uk history. Gap between Purcell and Elgar.)

kathy benfield said at 11:13 AM, 26 February 2007

The Arts has so many forms which everyone can join, appreciate or be part of in some way which enhances life.One does not need to be an artist to appreciate and value the arts. The arts for the public should take into account the traditional,sublime and everything between, offering new and exciting challenges to the mind as well as the expected and predictably enjoyable.Those involved in the all aspects of the arts have a responsibility to open doors for people from all walks of life, embracing every culture and its possible tastes and experiences and giving the opportunity to share those with others. What is art to one means something different to another so at no point will you please everyone.Involvement in the decision making processes would allow public opinion to be heard and ensure that money is spent on things which are going to be visited. At times the opportunity to see, hear and experience something different may not be taken, but if not offered then that opportunity is lost to all. The chances for small and sometimes unknown artists to gain help with funding can be the difference between survival as an artist and having to do other things and keep art purely as a hobby. Yet for many, the arts as a leisure activity or hobby is all that they require. In fact, a very deliberate act.So there needs to be a balance which allows all of this to take place for as many as possible to gain the most they can. The arts are important in some way, small or large to everyone, in some cases without realisation until the outlet is lost.Its all in the interpretation.

Denis McGeary said at 6:29 PM, 27 February 2007

The arts, all of them can mean so much to people at all stages of their lives. I worked full time in the arts from 1969 to 1994 and sort of drifted out the field though in recent years I have started to creep back. For 20 years I promoted work in and for schools throughout Cumbria as well as a wide variety of events, promotions and residencies for the family and adult audiences. Today tears came to my eyes, again, when I was listening to Today and Roger Black's Olympic quest. When young schoolgirls in Hammersmith and Chelsea were unenthusiatstic about PE. Roger thought laterally and called Pineapple Studios and broght dancers into the school. Success!
In rural Cumbria I did something on the same line with Irie! Dance Theatre. Great tours, great work, dancing dinnerladies in Millom and workouts for rugby players in Barrow.
So many people in Cumbria found the arts to be part of their lives, helped by the hard work of the arts organisations in the county despite the vagaries of the funding structure.
So, what am I trying to say?
The arts are vital to society - but they may not be recognised. Certainly in my time, and I guess the situation has not changed much, the provision is remarkably cost effective - but a political football.
I now work full time in a totally different business - but I found my experience as an arts administrator incredibly useful when I had the job of sorting out and creating financial reporting systems for a marine supplies company in Greece. In a month or so the company had an accurate picture of income and expenditure and the dreaded monthly cash-flow, something the company had not had for over 20 years. Tight, accurate budgetting and flexible thinking skills were developed in the arts - and are in great demand in the outside world.
What is art? Is there room for that discussion?
A lot of what I worked on could not be regarded as 'art' but so much encouraged people to think and work in different ways and enhanced their - and others - lives. The thought change is important.
Finally I look back at prophetic comments written a number of years ago by John Pick where he wrote about the gray aliens entering the arts administration world. When I left in 1994 the gray aliens were taking over the arts - are they still there?

David Fine said at 1:32 PM, 05 March 2007

Breathing

I value any artistic experience which makes me feel alive.

Just like any other experience we value.

Arts are different in that they create that feeling from nothing. You don't need a pack of cards, scissors, paper, stone, goal-posts, a second home, car, mortgage - where your life is on the line.

This winter I had the privilege of writing poetry about the Ashes Tour in Australia www.ashespoetry.net

I was funded by Arts Council England, (more than matched by in-kind contributions from BBC and other agencies, plus three thousand hard cash from my own pocket - I know how to get in line to dispatch any rough stuff)

Part of the Grant for Arts application was a poem about the Arts Debate

Sixty Not Out - Arts Council England 1946-2006

The hardest part is the start,
knowing how to proceed, justify
and develop proven justifications
into significant progress.
Matters that count
to be enjoyed and remembered
more for what they give
than the acts themselves.
This is the art that makes art.

Sixty not out is not too bad for players of class.
Taking guard straight after VE Day
there have been numerous difficulties,
periods of uncertainty, sticky wickets,
unfavourable conditions, the odd play
and miss, opportunity, mix-ups in the middle
and occasionally benefit of the doubt.
It takes some skill and effort to reach sixty not out.

Players of class look towards a century,
a big ton or more. Once set it should follow
however hard the bowlers of perfection bellow
to turn the umpires of opinion against themselves.
The art that makes art must not stand apart
from artists nor detractors, but face their deliveries
and make more of them in setting the score.

In other words, take a deep breath and try it for yourself before coming to any opinion.

If you don't, you can't really say you're living, can you?

Michael Walling said at 10:24 AM, 11 March 2007

I have been asked to respond to this consultation as Artistic Director of Border Crossings (www.bordercrossings.org.uk), which is an intercultural arts organisation, and my answers will of course be coloured by that perspective. But I feel that what we offer, as a company working in intercultural theatre, is in many ways representative and characteristic of art more generally, and is able to highlight the incredible value of art and culture in any society.

I happen to be writing this in Athens, because I am working with the National Opera of Greece at the moment. This is an appropriate place in which to try to answer these questions, especially for a theatre practitioner like myself, because it was here that western theatre was invented. I do not think it is any coincidence that it was also here that western democracy was invented. Democracy, contrary to the implication of much US-UK foreign policy, is not something which can be imposed upon a society, or latched onto the coat-tails of capital. It is something which arises out of a culture, an atmosphere. As artists and cultural workers, our role is to create such an atmosphere. The arts make moods amongst their audiences. They empower those audiences through the atmospheres they generate. They make certain things thinkable, and other things unthinkable.

At the present moment, much of what, throughout the history of western civilization, we have regarded as unthinkable within democratic structures and traditions, is becoming thinkable. I mean the erosion of civil liberties, the institutionalisation of racism, the criminalisation of the victims of human trafficking, the labelling of people fleeing persecution as illegal migrants, the deliberate impoverishment of people in other countries by multinational corporations: I could go on. These things happen because we have become capable of thinking the unthinkable. They can only be stopped by a concerted campaign in the hearts and minds of the public.

In Periclean Athens, theatre was a civic duty, both for the performers and the audience. The entire citizenry went to hear and see a complex performance in which there were many voices; refined and made special through poetry, song, dance and image. The voices they heard were often those of the excluded: so many Greek plays have the names of women as a title, and the Chorus is so often a group of older people, or young people, or foreigners. Because in the arts, in the cultural space, people can meet as equals. There is no equality in the market-place or on the battlefield. We have no political, social or economic equality. But in the empty space of the theatre; there we stand as our naked selves. And that is where we must begin. In 5th century Athens, going to the theatre was a compulsory preparation for the legislative process and for jury service. If we are searching for ways out of our current moral bankruptcy (and I believe many of us are) then we could do a lot worse than look to this Greek cultural model.

So, if we desire a better society, a more democratic society, a more secure society, a more just society, we must invest in art and culture. Because when people explore what it is to be human, it enables them to become more humane.

kath bell said at 7:16 PM, 21 March 2007

Thanks for the wallet. I just blogged about it. see http://uk.blog.360.yahoo.com/kathleenzbell "Delights of Free Art" as follows:

Leaving the station this morning, I was given a red wallet – the kind I use for my season ticket. “Thanks,” I said, “I can do with one of those.”

Quite often, people stand outside the station giving things away: a can of coke, a cloth to clean shoes, a bag of crisps …always as part of some marketing ploy but the gift is often welcome. As my season ticket wallet is falling apart, I was particularly glad of this.

One of the donors – a young woman – must have marked my delight as she offered me another wallet. “It’s by Tracey Emin,” she said.

And so it was – there’s a drawing of a cat (I admire Emin’s drawings), a little inscription saying “TRACEY EMIN STUDIO” and the handwritten words “We’ve got fur and lots of ears. Love Tracey Emin. 2007”

Not an original, of course but a specially-made plastic wallet. I have four of them now, celebrating the sixtieth anniversary of the Arts Council of England. The others are by Bernadine Evaristo, Adam Suherland and Antje Schiffers. Each is a miniature delight.

I often visit galleries for the free art, but those are temples of culture. And I admire works of public art, from Nelson’s Column to Charles Jagger's bleak monuments to military annihilation. But daily delights are few. I used to like the bright mosaics by Paolozzi at Tottenham Court Road underground but there’s too little like that – and too many dingy Van Gogh reproductions in hospital waiting rooms.

But today I was one of many people given a n artistic delight for myself. “Sell it on eBay,” one man said. But I won’t. I shall use Tracey Emin’s wallet – and the others – and every time I see them I shall enjoy the gift. Far more cheery than anything in Gordon Brown’s budget is the daily use of art – a delight, a cause for contemplation and a reminder of a world beyond the everyday.

Thank you Tracey, Bernadine, Adam and Antje. Thank you Arts Council.

jonathan said at 1:32 PM, 22 March 2007

art is good but people think when kids r doin art it is grafiti

martin said at 4:32 PM, 28 March 2007

What do you value about the arts

When people engage in making art they are not (for example) fighting, killing, exploiting or wasting time. I value this.

When people make art they think deeply about the choices available to them and the resources they have to deal with them.

When people make art they say 'I am alive in the world.

When people engage with art as audience they accept that there are many ways of being in the world, that the world may take many forms, that some forms take on meanings for us (beauty, strength, wit, and all their variations and opposites).

There are many ways of communicating ie relating to each other and ourselves across time and space but the arts provide so many of them.


What principles should guide public funding of the arts today?
Public funding for arts should concentrate on community arts. That is, creative artistic projects that involve communities of people in the making of it, and which thereby provides processes and structures by which we get to know each other better. This is integration. The arts can be a space where traditional identities can be honored while simultaneously fusing to create the future: these are the places we collectively come from, and these are the futures we can see for ourselves.

Public funding of individual artists, no matter how talented, should have a lower priority where there is no element of engagement and involvement with wider communities.


What are the responsibilities of a publicly-funded organization?
To channel as much of its financial resource into it's aims rather than the infrastructure of the organization - ie get the money to the art (ists)

When should an artist receive public money?
When they explore and produce art that brings people together as equals under the mystery of things. Art that unites us a humans sharing a planet rather than divided tribes. Art that celebrates what we have in common over our differences.

Should members of the public be involved in arts funding decisions?
Yes if they are supported with clear information about the arts and artists. No power of veto! Maybe involved as panel members alongside arts officers, artists, children, teachers etc. Perhaps a courtroom style of consultation, with members of the public as jury, (but without the adversarial quality!) Perhaps involved at macro level ie not on individual grants to artists but on broad themes of programme.

vanessa oakes said at 4:36 PM, 28 March 2007

I value the arts for asking why?

Stephen Herrick-Blake said at 4:50 PM, 28 March 2007

The arts allow us to look at and judge ourselves without risk of condemnation.

Bill Aitchison said at 10:46 AM, 01 April 2007

The arts, as many have said, is not one single entity, no more than "culture, media and sport" is a single proposition. It is impossible to say where 'the arts' begins and ends. Can the conversations that spill out onto the street after a theatre play be called 'the arts', or the shadows that one notices on the street walking home after an exhibiton? The blurring and connection of artistic works to life is something that I value but this is something that can also be said of a washing powder advert on the television. This too takes something of 'the arts' and connects it very directly to life. We should therefore distinguish between what is the nature, or potential, of 'the arts' and what we value most in 'the arts'.

For me, I value independence. I value this as I grow more and more weary of artistic expression that approaches the condition of propaganda. Under the name of 'democratical responsibility' I perceive 'the arts' principal strength, its independence, being drained and a set of institutionally defined values that support policy objectives publicised in its place. Worse still, it is all too often the failure of actual policies to be realised that is being covered up by public arts programs that divert attention away from political failings. Urban regeneration, forexample, is better served by affordable homes that an community arts centre.

What I value in 'the arts' is a space outside of institutional agendas, a space where I can perceive the world as somebody else does, a space where my imagination is not insulted as it is in the broadcast media by rampant commercialism that adopts a lowest common denominator aesthetic and peddles a deeply suspect political and ethical set of values.

Scott Tait said at 8:41 PM, 01 April 2007

I know everyone is entitled to their opinion here but I would just like to say in response to ninian owen's comment, that paintings can be viewed in galleries, to my knowlegde Tate Britian and Modern are both galleries not museums. Where I admit I am a fan of contempoary art I respect that it would not exist today without the history of fabulous and exceptional paintings of the past. It would be interesting and of great value if paintings came back into the artworld more but times change and the installation is now popular. Where contempoary art may seem like absoulte rubbish I must raise the fact that contempoary art has a mission to question our own thoughts and ideas. If art of any kind can not make the audience think of feel then of what value is it? If I find myself looking at a painting or a contemporary installation and see nothing in it; no hidden symbology, no direct statement about current affairs or anything else of such standing then what do I feel? I can't find value in art unless it questions. Ninian owen does raise a point but in response to your comment I just have to point out that all art has value in some manner its how we look at it that makes it of value. As you say you are an artist I would have thought that you may find away to appricate all mediums within art even if you don't like them. I try and find something meaningful in all art - something the artist wants the viewer to see. A kind of magic that is within all art.

rash said at 12:24 PM, 04 April 2007

nothing?

Mr Debnath said at 11:02 AM, 09 April 2007

Art is a teacher, art is a thinking and a teaching. Art is a creation of nature. Arts is vital in the ulticultural society of Britain!
Its important that we fund the community arts and those organisation which stems out of community and reflect the needs of the community. If certain activities brings all members of the community and enhances the social cohesion and integration agendas then Arts Council has a moral obligation to fund those activities and the infrastructure cost of those organisations. Without some injection of funding in infrastructure cost, an organisation cannot continue to survive and deliver high quality well organised events. Currently the arts organisation in the BME community is suffering the most as they are insufficiently funded in all fronts. One example I wish to give when an Asian organisation promotes arts activities through Diwali, Arts Council refuses to fund it more than once, thinking that they are promoting 'faith'. It is not the case at all! Arts Council does not have the foresight to see that various aspects of Diwali celebration which are arts related, can be used to spread the knowledge of Asian culture among the wider community through educational programme and through events that are open, provide equal access and creates an opportunity for ALL in the community to enjoy and value this cultural exchange. Arts Council needs to see this kind of activities as 'an art form' rather than 'promotion of faith'. Arts Council needs to broaden its thinking and embrace 'Cultural Diversity' as it stand, in its entirity. I am not saying that Arts Council should fund Diwali event all the time but Arts Council should look at the programme content of an organisation and assess whether or not majority of the programme (95%) can be considered as arts and involves the community or not. Involve a member from the Asian community with arts experience to judge the application.
I agree with Helen Lloyd said at 12:37 PM, 02 Ap